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Synopsis

In 1989, Malcolm McLaren had his only number one hit with a single called "Deep in Vogue". Early the next year, Madonna had one of the biggest hits of her career, with the single "Vogue", and when Jennie Livingston's film Paris is Burning arrived in cinemas the same year, winning the Grand Jury Prize at the Sundance Film Festival, the mainstream got hip to New York City's extraordinary ball culture, from which the film and McLaren and Madonna's songs had arisen. Paris is Burning documented a gay ballroom scene that emerged in Harlem in the mid–1980s, which drew African American and Latino gay and transgender communities to compete against one another for their dancing skills, the verisimilitude of their drag and their ability to walk on the runway.

Photographer Chantal Regnault spent many years recording this scene, from which the dance style known as voguing arose. A visual riot of fashion, polysexuality and subversive style, Voguing and the Gay Balls of New York City is also an extraordinary document on sexuality and race. The wild years of voguing are vividly captured in Regnault's hundreds of amazing, previously unpublished photographs. The book also features interviews with key figures from the movement, essays, flyers and ephemera.