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Review

The openly-gay Sir Ian McKellen wrote the screenplay adaptation and stars in this vibrant, often thrilling updating of Shakespeare's classic tragedy of betrayal and ambition, which has been streamlined and set in the 1930s. The story traces the rise of Richard, the ruthless prince who plots, lies and kills his way to the throne.

McKellen and director Loncraine have created a Nazi-like society which Richard commands, and Shakespeare's story and dialogue superbly underscore Richard's oppressive regime and fascist roots.

Among the supporting cast Maggie Smith is simply great as Richard's mother who can barely conceal the contempt she holds for her son, and Nigel Hawthorne shines as Richard's brother Clarence. The outstanding production design complements the rampant hysteria of Richard's new order, which has been brilliantly maneuvered by Richard and envisioned by McKellen.

In the hands of its star (a malevolent and hypnotic performance) and adapter,
Richard III is a brave and original interpretation of a time-honored work.