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Amos Lassen wrote on 08/25/2011:

Gabriel Maitreya made his name with “Bloodlust: which he directed and now we have a look at an earlier experimental film, “Majestica” , a movie that creates itself. It is interesting in that there is no dialogue and the viewer does not really know what is going on. The film moves back and forth between present, past and future and there are twelve characters. It is almost like doing a puzzle—frustrating until things fall together. There is a gay aspect to the film—one of the characters flashes back to a gay love affair he was once involved with in Mexico and there is a great deal of male skin in the film. But what makes it so special is the way it is shot and it is fun to try to figure out what is happening. All o the characters are in some way involved in the film and some are alive and some are dead. The film is somewhat hypnotic as visual after visual comes at us and the movie challenges the viewer to understand it.