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Synopsis

Don't Kill Anyone, I Love You is a sordid tale of AIDS, Ecstasy, bisexual promiscuity, hypocrisy, bureaucracy, and betrayal should help change the American image of Slovenia as a primitive backwater, but it could hardly be what the Llujubljana Chamber of Commerce had in mind. Slovenia is portrayed as a post–Communist, post–punk cultural mosh pit searching uneasily for its sexual, political, and moral identity. A fading cabaret queen subjects herself to countless indignities and insecurities for one–night stands, a deeply closeted bureaucrat tries to "convert" gays, a scientist at the Institute fails to conceive a child with her bisexual lover, and most everyone seems to be risking his or her life through unprotected sex and drugs.

Gojmir Polajnar takes all of the social institutions science, religion, the state puts them in a vise, and twists. What emerges is a clever and compelling tale, full of music, theatre, and delicious sex. It's like the writing George Orwell might have done if he hadn'st had that big stick up his ass.